Irene and Ralph Bellamy
Release date 04.13.1934
“Tony's pictures are exactly like her. You don't take much notice of them and all of a sudden you find they are having a terrific effect on you.” (Jim)
“She loves him for things like that!” (Bee)
An evening at the Dunlap's house: Tony (Irene) playing the piano - and it's a Steinway, folks - and her husband Jim (Ralph Bellamy) reading. Better trying to read if his wife would only let him instead of making noisy things or talking to him about the plans for their son's future, which is really an urgent topic considering the fact that Jeremy is already in the advanced age of two.
spending a cosy evening at home
This idyllic matrimonial banter is disturbed by the Dunlap's good friends Bee (Kay Johnson) and Jud McCrea (Charles Starrett) popping in for a drink and a word with Jim. A ghost from Jim's past is going to emerge - not from the grave but from Reno - in the person of Fran (Constance Cummings) Jim's former fiancee who eloped immediately before the wedding and happens to be Jud's sister. Man eater Fran on her way - that's certainly worth a warning for Jim and some kind of preparation for Tony...
" Tony, what do you know about me?"
"You'd be surprised!"
Soon we learn that Tony knows everything about Fran, town's gossip took care of that in the last years, and that she is sure of her and Jim's love. A love Tony appreciates even more because she had a very uneasy childhood as kid of a painter and a Prima Donna who not only playing the femme fatale on stage at last eloped with the tenor and thus ruined Tony's father's career. Tony is herself a painter whose landscape paintings reflect her wish for nothing more than her calm life with Jim and Jeremy.
Fran (Constance Cummings) is back in town!
Of course this very settled life is soon disturbed by Fran who with a dubious man in tow not only dazes Jim but almost every man around. Poor, stupid Jim can't help it and falls for Fran again, seriously enough - at least from his side - to ask Tony for a divorce. But, well, Tony isn't the person to give up so easily and if there is going to be a divorce it's going to be on her terms with naming Fran as correspondent and suing her for a million dollars for alienation. Not exactly what Fran had in mind starting that little fling with Jim…
Up for a conversation piece of a film? True to its definition of depending chiefly on its wit of dialogue, taking place in upper-class circles and getting the action started through occurrences from without? “This Man Is Mine” made me laugh, touched me sometimes (Miss Dunne took care of that) and made me smile about the stupidity of mankind. If we are not confronted with real problems - some existential ones for instance - we are all good at inventing some trouble on our own. The film touches with a light hand the question if real happiness is contentment - or let's say the kind of happiness which offers some lasting quality - and shows how quickly human relationships change and leave us on a very slippery ground.
losing a life and trying to be brave about it...
Certainly the characters are well-known ones: the husband not really appreciating the beautiful, painting, singing, piano playing, heart of gold wife of his - which REALLY makes you wonder what men are looking for - the all enduring wife fighting for her little niche of the world, and of course femme fatale Fran. She is a cliché on legs - manipulative and phony as can be, but she meets her male match - someone she thinks even she may not be able to handle - in the end, which is one of the nice tidbits of the film. However, the whole thing is really entertaining with some great lines of dialogue and an in its entirety very well picked cast.
no crisis without a friend (Kay Johnson)
I especially like Kay Johnson as Irene's sidekick soberly commenting the happenings and at the same time being true to her friend Tony. I have always a weakness for these kind of characters so wonderfully represented by actresses like Kay Johnson, Jean Dixon and Eve Arden of course - just to name a few. This is the first time that Ralph Bellamy and Irene shared the screen and for once he is her leading man and not the third part of a triangle and the second male lead. Bellamy does a good job but simply isn't in Irene's league of acting, he just doesn't move around in that range of capabilities of expression, which brings me once again back to Miss Dunne.
At last Tony is losing her temper...
There is a lot more about Tony than just being the “little wife” though she is initially presented like that, and Irene squeezes out of that role what there is to squeeze. From a restraint reaction to Jim's wish for a divorce - Irene plays that consequently at the brink of a breakdown which is really touching - to the end when Tony hits Jim with one of her paintings over the head - about time for that and the prelude to their reconciliation. In hindsight and with the knowledge of the comedies to come this scene gets a quality of its own.
“This Man Is Mine” teams Irene the third time with director John Cromwell and once again I admire the way how he handles the close ups, finds interesting camera angles and keeps the whole film in a fine balance.
This is not a great, "must see" film but if you are in the mood for a rather talkative, stagy movie, with great acting , some comic dialogue and touching lightly some serious topics, this could be the choice for the evening. But if you are a Dunne enthusiast, this film is simply a must.
and another close up...
Leaves my Irene tidbit: there is a very, very short scene in which Irene chews gum - a habit normally reserved for dubious girls in that film era. If I needed a hint that Tony has some “tough cookie” qualities there it is - not solely about roses and lavender that lady!